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Name : Tumaco - Tolita standing fig

What it is : A gold sculpture of a someone

Gold statuette of a person with nose ring

A Tumaco-Tolita gold figurine of a person wearing a nose ring.

Where it is from : Near the Colombia - Ecuador border

When it was made : A.D. 1 to 300

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What it tells us about the past :

Two millenary ago , a mathematical group of people who were highly skilled in metallurgy flourished along the northerly Pacific Coast of South America . Although they left no write record book , the Tumaco - Tolita ( also spell Tumaco - La Tolita ) mass create thisgoldstatue , arare example of the art formin the ancient Americas .

The stand up figure is missing its human foot , which were once attached by gold telegram , as well as the accessories and objects it once defend in its hands . Only a " fancy nose ornamentation " remains on the figure , a clew that the statuette once donned a headdress on ritual occasions , according to theMetropolitan Museum of Artin New York City , where the statue is located .

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The gold figurine , which is roughly 9 inch ( 22.9 centimeters ) tall , was made between the first and 4th centuries near what is now the border of Colombia and Ecuador in the Cayapas River delta orbit .

Known in Colombia as the Tumaco civilisation and in Ecuador as the Tolita finish , theTumaco - Tolita civilizationarose in an orbit full of rivers , swamps , forests , and natural atomic number 79 and platinum deposit . They produce large plazas ringed by Greenwich Village and make earthen mounds that were both residence and burial mound for the elite , according to Met researcherHugo Ikehara - Tsukayama . Between 200 B.C. and A.D. 400 , the Tumaco - Tolita produce one of the most refined metalworking traditions in the Americas andtraded with other communitiesin the expanse .

This gold figure may constitute a woman , since it was more common to mark a sculpture with mammilla for female statues than for male statue , Ikehara - Tsukayama said . However , skirts were also mutual in female paradigm , so the deficiency of one on this sculpture means the figure ’s gender is ambiguous .

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Four views of a gold-covered figurine in the shape of a woman. She holds a shield and a sword and wears her hair in a ponytail. There is a small hole behind her neck, perhaps for hanging.

The flatten head likely reflects the ethnic practice of cranial bank vault change , which involves bind a babe ’s capitulum so that the skull grows in a dissimilar contour . This skull shape may have signaled that the person was mellow in societal social status or grandness .

Remains of human and animal sculptures in metal and Lucius Clay have been found throughout Tumaco - Tolita settlements and in their graves , but the accurate map of the sculptures is unnamed .

By A.D. 500 , the river island of La Tolita and its surrounding areas were abandon , and the Tumaco - Tolita people come along to have dispersed , step by step desolate the coastal region . But there is historical evidence thatTumaco - Tolita objects survivedas heirlooms well into the 16th century , when conquistador arrive in the area and compose about clay and gold figurines as well as the delicate gold andplatinum - platedjewelry they picture the Indigenous people wearing .

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